Welcome to the website of Australian writer, journalist and academic Dr. Dan Edwards. This site features examples of Dan's work from the wide variety of publications he has written for. Whenever possible links have been provided so articles can be viewed in their original context.
Dan recently completed his PhD on China's independent documentary movement at Monash University in Melbourne. His first book, Chinese Independent Documentary: Alternative Visions, Alternative Publics will be published by Edinburgh University Press in May 2015.
Born in Sydney, Australia, Dan is currently living in Melbourne and teaches Asian Cinema and Media at Melbourne University.
In his journalism, Dan mainly focuses on politics and arts-related topics. From 2007-2011 he lived in China's capital Beijing, and was the web editor for The Beijinger and the China correspondent for New Matilda, an Australian online publication featuring news and analysis of current affairs. He is a regular contributor to RealTime, Australia's only free national arts magazine. His work has also appeared in The Age, The Sydney Morning Herald, Crikey, The Diplomat, Inside Film, Screen Hub, Senses of Cinema, Meanjin, Metro Magazine, The Beijinger, Time Out Beijing and China Today.
Dan curated the Street Level Visions program of Chinese documentaries for the 2012 Melbourne International Film Festival.
Before living in China, Dan was the managing editor of the Australian Film Commission's Communications Branch. He also formerly taught Film Studies at the University of New South Wales and from 2003 to 2005 was the assistant editor of RealTime.
All written content on this site is copyright Dan Edwards. Please contact the author for permission to reproduce any of this material. Feedback and comments are also welcome.
Check out my blog, Screening China, featuring news an commentary about China's independent film sector.The Art of Dissent, panel as part of the "China Up Close Program" at Australian Centre for the Moving Image, 13 February 2015
In February 2015, Dan appeared on a panel following a screening of Alison Klayman's documentary "Ai Weiwei: Never Sorry" at the Australian Centre for the Moving Image, as part of the centre's China Up Close program. Apart from Dan Edwards, the artist/curator Tammy Wong, Gallery 4A Director Aaron Seeto, and artist Scot Rankin also appeared on the panel.
Recent articles by Dan Edwards
Looking At/ Looking in Antonioni's Chung kuo, Cina: A Critical Reflection Across Three Viewings, Senses of Cinema 74, March 2015
This article traces my response to Antonioni's 1972 documentary Chung Kuo, Cina across three viewings: before I ever visited China, while living in Beijing, and at the time of writing. I consider not only my own varying relationship to the film, but also some of the different responses the film has provoked since its release, both in China and the West.
An Eye on China for Three Decades, RealTime 124, Dec-Jan 2014
A critical overview of a series of documentaries on Hong Kong and China made between the 1980s and the present, by Australian documentarian Nick Torrens. Torrens' most recent work is China's 3 Dreams, which debuted at the 2014 Sydney Film Festival.
Life, Death and Music – Making Connections, RealTime 123, Oct-Nov 2014
Four documentaries at the 2014 Melbourne International Film Festival that examine the power of popular music composed on the streets: Jalanan (Indonesia), Pulp: A Film About Life, Death and Supermarkets (UK/New Zealand), Jai Bhim Comrade (India), and Don't Think I've Forgotten (US/Cambodia).
Epic History, Intimately Told, RealTime 122, Aug-Sept 2014
An interview with Australian documentary maker Sophia Turkiewicz, about her new film Once My Mother, an epic story of her mother's internment in a Soviet labour camp and post-war journey to Australia.
Redfern: The View from the Inside, RealTime 121, June-July 2014
A review of the latest documentary from the acclaimed Indigenous Australian filmmaker Darlene Johnson, The Redfern Story.